Bezonken rood 9789051086867€ 11,20
Fucking Good Art 9789059730878
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Caractéristiques
Auteur
ConditieGelezen
Productnummer (ISBN)9789059730878
Jaar (oorspr.)2008
Description
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Titel: Fucking Good Art
ISBN: 9789059730878
Conditie: Beetje gebruikt
'This 20th issue of FGA, The Swiss Issue (and what life could be) is a field study on art and the art market, made in what could be the last days of neo-liberalism, the 3 months in which the UBS lost 16 billon dollars in the dividend crisis.
FGA #20 The Swiss Issue has been made at the introduction of the Kunsthaus Zurich for the exhibition Shifting Identities - [Swiss] Art Today.
The editors have attempted to understand how the machine behind art works and have looked critically at the role of the market. They have quickly come to understand that the market is effective for only approximately 3 to 5 per cent of the artists. But how does who decide who will make it to the top?
For this issue, six writers were invited for critical reflections on the art world and its existing model and artists, designers, curators and collectors in Switzerland were interviewed about art and the market. One question we posed to everyone: 'do you think the current hierarchical model works?' Which usually led to a second question: 'is it possible to conceive another model?'
Titel: Fucking Good Art
ISBN: 9789059730878
Conditie: Beetje gebruikt
'This 20th issue of FGA, The Swiss Issue (and what life could be) is a field study on art and the art market, made in what could be the last days of neo-liberalism, the 3 months in which the UBS lost 16 billon dollars in the dividend crisis.
FGA #20 The Swiss Issue has been made at the introduction of the Kunsthaus Zurich for the exhibition Shifting Identities - [Swiss] Art Today.
The editors have attempted to understand how the machine behind art works and have looked critically at the role of the market. They have quickly come to understand that the market is effective for only approximately 3 to 5 per cent of the artists. But how does who decide who will make it to the top?
For this issue, six writers were invited for critical reflections on the art world and its existing model and artists, designers, curators and collectors in Switzerland were interviewed about art and the market. One question we posed to everyone: 'do you think the current hierarchical model works?' Which usually led to a second question: 'is it possible to conceive another model?'
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